The New York-based Twenty First Gallery has gained a remarkable new piece. The Nazca Coffee Table by Erwan Boulloud features a tabletop in charred oak, evoking a darkened landscape. This effect is achieved through a controlled charring process that deepens and reveals the grain. Shapes in cast bronze and patinated brass are inlaid into the surface, reminiscent of cartographic symbols or ritual markings. The reference to the Nazca Lines in Peru is thus not a literal interpretation, but an abstract reading of signs within a terrain. The designer deliberately leaves the hand-applied transitions between wood and metal visible, emphasising the dialogue between the two materials and creating variation in colour and relief.
Imagicasa Summer Issue 2026
June 16, 2026
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Featured & Related Artworks
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Featured Artist
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Erwan Boulloud
Born in France in 1973, Erwan Boulloud graduated from Ecole Boulle in 1995, then assisted in the workshops of renowned designers such as Hubert Le Gall and Hervé Van Der Straeten, as well as working at the Louvre, the Conservatoire National des Arts et Métiers (CNAM) and the Museum of Natural History as a set designer presenting artworks and artifacts. In 2003, he opened his own studio in Paris, later moving to Montreuil where he works today. His furniture, made in limited numbered editions, fuses a variety of technical processes and aesthetic moods and boasts an ease with a range of high quality materials including wood, bronze, brass, steel, glass, gold leaf, inlaid precious stones, and even preserved exotic butterfly specimens. His showstopping creations don’t adhere to any existing styles, but rather take their direction from Boulloud’s rigorous intellectual quests and artistic determination to distill an idea to its essence. His attention to detail creates hidden delights in every inch of his works, and each piece is a testament to his imaginative vision of decor. From textured surfaces that resemble the carapace of a giant creature, to radiant polished metals and glistening modern Boulle marquetry, Boulloud’s cabinets, tables, mirrors, and seating defy genres and arise from a lineage all their own. His work has been featured in publications including Architectural Digest, Surface, and The Wall Street Journal, and in several exhibitions at Twenty First Gallery.
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